Tom Morello - Brantford Live 2

Tom Morello Brings Fire and Folk to Brantford’s Sanderson Centre

Tom Morello has long been rock’s most radical guitar hero — a man who can turn distortion into dissent and feedback into freedom. On Thursday night, he brought that revolutionary spirit to the intimate Sanderson Centre in Brantford, Ontario, for a solo show that blurred the lines between protest rally, church revival, and punk-rock poetry reading.

The night opened with “One Man Revolution,” Morello’s anthem from his Nightwatchman era — just him, an acoustic guitar, and the crowd’s voice rising like a choir. “It’s a song for anyone who’s ever stood alone against the machine,” he told the audience, his tone soft but charged. The theater, usually home to community productions, suddenly felt like a union hall.

That defiant energy carried straight into “Pretend You Remember Me,” his latest single — a haunting blend of melody and message, fusing cinematic guitar loops with a voice that’s aged into gravelly conviction. The song’s refrain hit differently live, a meditation on loss and resilience in a world that forgets too easily.

Mid-set, Morello reached back to his folk roots with a gut-punching rendition of Bruce Springsteen’s “The Ghost of Tom Joad.” The lights dimmed to a single spotlight as he picked through the chords, channeling both Woody Guthrie’s populist spirit and Springsteen’s blue-collar sorrow.

But no Morello show is complete without a taste of the fury that made him famous. The encore erupted into a thunderous, electric version of “Killing in the Name.” The Sanderson’s ornate ceiling shook as the audience shouted every lyric — “Fuck you, I won’t do what you tell me!” — a cathartic chant echoing decades of rebellion.

Then, just as suddenly, he unplugged. The distortion faded, the lights softened, and Morello closed the night with Guthrie’s “This Land Is Your Land.” He invited the crowd to sing, and they did — Canadians and Americans alike — turning the folk standard into a shared anthem of unity and defiance.

In a world of noise, Tom Morello’s message remains unmistakable: the revolution might be quieter now, but it still has a soundtrack.

Photos by Randy Gilbert

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