Nearly two decades into their career, Pierce The Veil are doing something few bands from the Warped Tour generation ever get the chance to do: come home and headline a stadium. The San Diego trio will return to their hometown on September 12, 2026, for their largest show to date — a career-defining performance at Petco […]
There’s a particular confidence that comes from longevity — not the victory-lap kind, but the quiet assurance of artists who’ve survived trends, cycles, and eras by staying honest. That’s the space 54-40 occupy on PORTO, their newly released studio album and one of the strongest statements of their late-career run. Out now, PORTO finds the
54-40 Return With PORTO, A Record About Staying in the Fight Read More »
Tori Amos has spent her career turning the personal into the political, the mythic into the immediate. With In Times of Dragons, her newly announced 18th studio album due out May 1 via Universal/Fontana, she leans fully into that alchemy — framing the present moment as a battle between storytelling, power, and survival. The album,
The D.O.C.’s modern resurgence did not arrive via a legacy rap project or reunion tour. It came through punk.For all the mythology surrounding The D.O.C., the documented facts alone are remarkable. Before his career was altered by circumstance, Tracy Lynn Curry was one of the most respected lyricists in hip-hop, widely credited as a key
The D.O.C.’s Second Act: Survival, Voice, and a New Life in Punk Read More »
Brooklyn rock band Geese stepped onto one of indie rock’s biggest stages over the weekend, making their debut as musical guests on Saturday Night Live with a pair of performances drawn from their latest album, Getting Killed. Appearing on the January 24 episode hosted by Teyana Taylor, the band leaned into the darker, more volatile
Geese Make Saturday Night Live Debut With Two Songs From Getting Killed Read More »
MEGADETH have always thrived on tension — between speed and precision, rage and control, spectacle and solitude. On “Puppet Parade,” the final single from their self-titled final studio album, the band turns that tension inward, offering one last, grim reflection on routine, disillusionment, and the quiet violence of repetition. Released ahead of the album’s arrival
Megadeth Share “Puppet Parade,” The Final Single From Their Self-Titled Last Album Read More »
Sabaton have spent two decades turning history into stadium-sized power metal, but their latest move is pure crossover strategy. “Crossing The Rubicon,” now featuring Nothing More, has surged into the Billboard Mainstream Rock Airplay Top 10, marking the band’s first-ever appearance in that tier of U.S. rock radio. The timing is perfect. The track, an
Megadeth have officially released their self-titled final studio album, Megadeth, out today (January 23, 2026). Arriving six months after its announcement, the record stands as a definitive closing chapter for the Grammy Award–winning, multi-platinum metal titans. The album is released via Dave Mustaine’s Tradecraft imprint in partnership with Frontiers Label Group’s BLKIIBLK label and has
Megadeth Release Self-Titled Final Studio Album, ‘Megadeth,’ Out Today Read More »
“The end is the beginning” has always been more than a tagline in the Gorillaz universe it’s a working method. With the release of “Orange County”, the virtual band unveil the emotional spine of their forthcoming album The Mountain, out February 27, and reaffirm their long-standing instinct to treat collaboration not as ornamentation, but as
Sublime are taking their comeback victory lap offshore. The band have announced the Sublime Reef Madness Cruise, a four night music cruise sailing November 15 through 19 from Miami to Great Stirrup Cay in the Bahamas aboard the Norwegian Jewel. Produced with Sixthman, Reef Madness is framed less like a nostalgia trip and more like
Sublime Announce Reef Madness Cruise With Large All-Star Lineup Sailing This November Read More »
