Less than a year after releasing their first single, West Los Angeles alternative rock band untitled are taking their music far beyond the garages, backyards and dive bars where the project first developed.
The four-piece have been added as support for honestav on 26 U.S. dates of the Sweet American Boy Tour, beginning August 12 at the Nile Theater in Mesa, Arizona. The run includes an August 13 hometown appearance at The Regent Theatre in Los Angeles before continuing through Sacramento, Salt Lake City and Boise.
Following a series of previously scheduled festival and club dates in the United Kingdom, untitled will rejoin the tour September 10 in St. Louis. The band will remain on the bill through much of September, October and November, including stops at the 9:30 Club in Washington, D.C., Theatre of Living Arts in Philadelphia, The Orange Peel in Asheville and Center Stage in Atlanta.
untitled confirmed the addition on August 3, telling fans that they would be heading across the United States with honestav on the Sweet American Boy Tour.
The announcement marks the latest step in a rise that has moved unusually quickly, even by the accelerated standards of the current music industry.
When early profiles of untitled began circulating in spring 2026, the band had released only one original song. “Restless,” which arrived in November 2025, introduced a sound rooted in distorted guitars, loose grooves, melodic tension and the unpolished energy of the West Los Angeles underground.
The track quickly escaped the local scene. Listeners compared its combination of wandering guitar lines and explosive choruses to the alternative rock of the 1990s, particularly Nirvana and Weezer. Those comparisons helped frame the initial conversation around the band, but they also risked reducing a young group to the most recognizable pieces of its influences.
Since then, untitled have begun providing a clearer picture of their own identity.
“Say It Again,” released April 24, pushed the band toward a sharper and more confrontational form of alternative rock. The song retained the quiet-to-loud dynamics heard on “Restless,” but carried more frustration in its vocal delivery and a more aggressive instrumental finish. Guitarist James Hladek and frontman Danny Meza described the track as an attempt to capture a nostalgic 1990s sound without allowing that influence to overwhelm the band’s own approach.
The group followed on June 12 with “Nothing Good,” its third original release. The three-song package issued under that title collects the band’s released material to date, placing “Nothing Good” alongside “Say It Again” and “Restless.” untitled’s official website is currently centered around the “Nothing Good” music video, signaling that the track represents the band’s latest creative chapter.
That growing catalog gives untitled more room to define themselves on the road. Rather than arriving as the viral band with a single recognizable song, they now have the beginnings of a live set that can demonstrate how their distorted, garage-built sound functions beyond short clips and streaming playlists.
“Restless” remains the foundation of that momentum. The song has accumulated tens of millions of Spotify streams, while the band’s audience on the platform has grown to approximately 2.8 million monthly listeners. Those numbers remain fluid, but they illustrate how rapidly untitled have moved from local curiosity to an emerging national act.
The Sweet American Boy Tour places them in front of an audience that may be especially receptive to that combination of rock energy, emotional directness and genre flexibility.
honestav, the Missouri singer-songwriter born Avery Freeman, has built his own following by moving between alternative rock, indie folk, hip-hop and pop. His songs frequently address grief, addiction, family instability, relationships and the psychological consequences of sudden success.
The tour supports honestav’s sophomore album, Sweet American Boy, released June 19. The 16-track record includes “Crash First” with mgk, along with “Can’t Let Go,” “Cobain,” “Believe,” “Wasted,” “Know Better” and “Bad Guy.” According to honestav’s official album description, the project was written during and after a year of touring and expands his established sound through larger, more rock-driven arrangements.
honestav originally announced the Sweet American Boy Tour as a global run extending through North America, Europe, Australia and New Zealand. The full itinerary stretches from August 2026 into January 2027, making it the most extensive headlining campaign of his career to date.
For untitled, joining selected U.S. dates creates an opportunity to reach audiences outside the online ecosystem that fueled their first breakthrough. The rooms on the tour range from established rock clubs to historic theaters and larger venues, offering the band a new test after building its reputation through intimate, unconventional performances around Los Angeles.
The routing also arrives during an increasingly international period for the group. Between the first and second stretches of the honestav tour, untitled are scheduled to appear at Leeds Festival on August 28 and Reading Festival on August 30. The band will then play club dates in Bristol, Manchester, Glasgow, Leeds and London before returning to the United States.
That schedule represents a dramatic change from where untitled stood when “Restless” first appeared. The band’s DIY foundation remains central to its identity, but the scale surrounding it has expanded. Backyard performances have led to major festival appearances. A single garage-recorded song has developed into a growing catalog. Viral attention is now being converted into months of touring.
The next question is no longer whether untitled can attract attention. It is what the band will do with that attention once it reaches the stage.
untitled Sweet American Boy Tour Dates
August 12, 2026 — Nile Theater — Mesa, AZ
August 13, 2026 — The Regent Theatre — Los Angeles, CA
August 19, 2026 — Ace of Spades — Sacramento, CA
August 21, 2026 — The Grand at The Complex — Salt Lake City, UT
August 22, 2026 — Knitting Factory — Boise, ID
September 10, 2026 — The Hawthorn — St. Louis, MO
September 11, 2026 — Val Air Ballroom — West Des Moines, IA
September 13, 2026 — Varsity Theater — Minneapolis, MN
September 14, 2026 — The Sylvee — Madison, WI
September 16, 2026 — The Intersection — Grand Rapids, MI
September 18, 2026 — Deluxe at Old National Centre — Indianapolis, IN
September 19, 2026 — Manchester Music Hall — Lexington, KY
September 21, 2026 — Stage AE — Pittsburgh, PA
September 22, 2026 — Town Ballroom — Buffalo, NY
September 24, 2026 — Toad’s Place — New Haven, CT
September 25, 2026 — Royale — Boston, MA
September 27, 2026 — 9:30 Club — Washington, D.C.
September 28, 2026 — Theatre of Living Arts — Philadelphia, PA
September 30, 2026 — The NorVa — Norfolk, VA
October 1, 2026 — Lincoln Theatre — Raleigh, NC
November 5, 2026 — The Orange Peel — Asheville, NC
November 6, 2026 — Charleston Music Hall — Charleston, SC
November 8, 2026 — Center Stage Theater — Atlanta, GA
November 10, 2026 — Decca Live — Jacksonville, FL
November 12, 2026 — The Beacham — Orlando, FL
November 13, 2026 — Midline Miami — Miami, FL
