There’s a particular confidence that comes from longevity — not the victory-lap kind, but the quiet assurance of artists who’ve survived trends, cycles, and eras by staying honest. That’s the space 54-40 occupy on PORTO, their newly released studio album and one of the strongest statements of their late-career run. Out now, PORTO finds the […]
54-40 Return With PORTO, A Record About Staying in the Fight Read More »
Independent Project Records has released The Well, a decades-spanning, genre-defying various artists compilation featuring rare and previously unreleased material pulled from the label’s vaults, alongside tracks from forthcoming releases. The two-disc, forty-one track collection is out today as a special edition double CD. For more than four decades, Independent Project Records has embodied the true
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The Red Jumpsuit Apparatus are set to release a deluxe edition of their sixth studio album, X’s For Eyes, on March 6, 2026 via Better Noise Music. The expanded release arrives alongside a brand-new, previously unreleased track, “Angels Cry,” which is out now along with an accompanying music video. Pre-orders for the X’s For Eyes
Tori Amos has spent her career turning the personal into the political, the mythic into the immediate. With In Times of Dragons, her newly announced 18th studio album due out May 1 via Universal/Fontana, she leans fully into that alchemy — framing the present moment as a battle between storytelling, power, and survival. The album,
Brooklyn rock band Geese stepped onto one of indie rock’s biggest stages over the weekend, making their debut as musical guests on Saturday Night Live with a pair of performances drawn from their latest album, Getting Killed. Appearing on the January 24 episode hosted by Teyana Taylor, the band leaned into the darker, more volatile
Geese Make Saturday Night Live Debut With Two Songs From Getting Killed Read More »
MEGADETH have always thrived on tension — between speed and precision, rage and control, spectacle and solitude. On “Puppet Parade,” the final single from their self-titled final studio album, the band turns that tension inward, offering one last, grim reflection on routine, disillusionment, and the quiet violence of repetition. Released ahead of the album’s arrival
Megadeth Share “Puppet Parade,” The Final Single From Their Self-Titled Last Album Read More »
The intensity captured on Live From Suffocate City isn’t accidental. It’s the physical manifestation of everything Lee Jennings spoke about when he sat down with Skratch N’ Sniff to discuss “Dark Thoughts,” mental health, and the responsibility he feels toward his audience. Where the studio recordings articulate those ideas in controlled form, the live album
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Sabaton have spent two decades turning history into stadium-sized power metal, but their latest move is pure crossover strategy. “Crossing The Rubicon,” now featuring Nothing More, has surged into the Billboard Mainstream Rock Airplay Top 10, marking the band’s first-ever appearance in that tier of U.S. rock radio. The timing is perfect. The track, an
Austin Psych Fest returns May 8–10, 2026, reaffirming its place as one of North America’s most thoughtfully curated celebrations of psychedelic music. Set once again at South Austin’s The Far Out Lounge , the three-day gathering blends legacy acts, forward-thinking indie rock, global psych, and deep-cut favorites into a weekend that treats psychedelia less as
Megadeth have officially released their self-titled final studio album, Megadeth, out today (January 23, 2026). Arriving six months after its announcement, the record stands as a definitive closing chapter for the Grammy Award–winning, multi-platinum metal titans. The album is released via Dave Mustaine’s Tradecraft imprint in partnership with Frontiers Label Group’s BLKIIBLK label and has
Megadeth Release Self-Titled Final Studio Album, ‘Megadeth,’ Out Today Read More »
