Five months after its April release, Fozzy’s “I Know Evil” is still moving up rock radio. The video arrived in July, giving the single another moment in the spotlight, but Chris Jericho knows a song doesn’t keep growing on its own. In a conversation with Skratch N’ Sniff, he explained the work behind its climb […]
Chris Jericho Knows Why Fozzy’s “I Know Evil” Is Still Climbing [Interview] Read More »
On their second album, Thank God It’s Almost Monday, the California trio turn the uncertainty of releasing new music into a reason to get back onstage. For Dawson Daugherty, finishing an album doesn’t mean the hard part is over. It means handing something deeply personal to people he may never meet. Almost Monday’s sophomore album,
Almost Monday Are Learning to Let Go [Interview] Read More »
There was never another tour quite like Warped Tour. For more than two decades, Kevin Lyman’s traveling punk rock circus wasn’t simply a summer festival. It was a proving ground. A place where future arena headliners sold CDs in parking lots, loaded their own gear, played blistering afternoon sets in hundred-degree heat, and then watched
As Evanescence prepared to create what would become Sanctuary, frontwoman Amy Lee made a decision that would have terrified her younger self: she walked into the studio without a plan. For a songwriter known for meticulously crafting every detail of Evanescence’s sprawling catalog, the blank slate approach represented a creative leap of faith. It also
Amy Lee Says Sanctuary Is “The Best Music We’ve Ever Made” Read More »
For a band like Sublime, whose catalog has long since crossed into sacred territory for fans, the idea of a new album isn’t just exciting, it’s loaded. That weight isn’t lost on frontman Jakob Nowell, who has spent the past year navigating the impossible balance between honoring a legacy and pushing it forward. “It’s a
Jakob Nowell Faces the Weight of Sublime’s Legacy on New Album “Until The Sun Explodes” Read More »
When Untitled released “Restless,” the song didn’t just break through—it detonated. The young alternative rock band went from playing in a garage with friends to amassing more than forty million streams and finding themselves at the center of one of rock music’s most unlikely success stories. Now, with their latest single “Nothing Good,” the band
Untitled Keep the Momentum Rolling With the Explosive New Single “Nothing Good” Read More »
There is a moment on Kurt Deimer’s new album A Grog Is Born where the volume drops just enough for the message to cut through. That moment arrives in “True,” a soaring rock anthem that serves as one of the emotional anchors of an album built on reinvention, resilience, and self discovery. While A Grog
How Kurt Deimer’s “True” Became the Heart of A Grog Is Born Read More »
More than two decades after Evanescence crashed into mainstream rock with the gothic grandeur of Fallen, the band finds itself in an unlikely position: bigger, louder, and more creatively fearless than ever before. But according to frontwoman Amy Lee, the real triumph of the band’s new album Sanctuary isn’t the arenas, the stadiums, or the
Inside Evanescence’s “Sanctuary”: How Amy Lee Found Freedom Again Read More »
For years, Cali Reggae has lived in a strange middle ground. Too massive to be dismissed as a niche scene, too culturally fluid to ever fit neatly into the traditional festival ecosystem, the genre has spent decades building an empire just outside the mainstream spotlight. But on Saturday, June 13, that changes. When Field Of
For a band with only two songs released, Untitled already sound like they’ve been pulled from a different era entirely. Not in the cynical, algorithm-chasing way many modern “throwback” bands operate, but in the messy, loud, gloriously unpolished tradition of kids discovering that distortion pedals and basement speakers can still change your life. Their latest
How Untitled Turned Garage Noise Into Rock’s Most Addictive New Sound Read More »
