Led Zeppelin legend Robert Plant is teaming up with Saving Grace for a fall UK tour and their debut song release. The three-week series in November will see the rocker perform with Saving Grace, the co-operative featuring Suzi Dian (vocals),Oli Jefferson (percussion),Tony Kelsey (mandolin, baritone, acoustic guitar),and Matt Worley (banjo, acoustic, baritone guitars, cuatro).
The Led Zeppelin icon formed the group in 2019; the outfit bills themselves as performing a repertoire of “music inspired by the dreamscape of the Welsh Marches,” songs that span Plant’s diverse tastes and influences – notably his lifelong passion for British and American folk, spirituals, and traditional blues – including a number of beloved standards and longtime favorites by Doc Watson, Donovan, Moby Grape and Low, among others.
In sync with the tour, Plant and Saving Grace have just announced their first-ever track release: “As I Roved Out.”

Deep Purple Release New Single “Diablo”
DEEP PURPLE have today released their new single “Diablo,” the latest taste from SPLAT!—their new studio album, out July 3 on earMUSIC. The new track

Skratch N Sniff’s Alt & Rock Shows Jump into June with Slightly Stoopid
Skratch N Sniff is turning up the crossover energy this weekend with new episodes of both the Rock Show and Alt Show, each featuring a

Exploring The Roots of Slightly Stoopid and Sublime
Long before they were headlining amphitheaters, launching their own festivals, or carrying the torch for an entire musical movement, the members of Slightly Stoopid were

Little Stranger’s “My Own Parade” Named The Pier Song of the Week on Skratch N Sniff’s ALT Show
Little Stranger’s new single “My Own Parade” has been selected as this week’s Pier Song of the Week on Skratch N Sniff’s ALT show. The

How Kurt Deimer’s “True” Became the Heart of A Grog Is Born
There is a moment on Kurt Deimer’s new album A Grog Is Born where the volume drops just enough for the message to cut through.

Inside Evanescence’s “Sanctuary”: How Amy Lee Found Freedom Again
More than two decades after Evanescence crashed into mainstream rock with the gothic grandeur of Fallen, the band finds itself in an unlikely position: bigger,