Music News

Climber Alex Honnold Completes Climbs 101 Skyscraper Without a Rope Listening to Tool

Alex Honnold has made a career out of redefining the limits of human nerve, but even by his standards, this one landed like a collective gasp heard around the world. The American climber, whose name has become synonymous with fearlessness, completed a 508-metre ascent of a skyscraper in Taiwan’s capital city without a rope or […]

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54-40 Return With PORTO, A Record About Staying in the Fight

There’s a particular confidence that comes from longevity — not the victory-lap kind, but the quiet assurance of artists who’ve survived trends, cycles, and eras by staying honest. That’s the space 54-40 occupy on PORTO, their newly released studio album and one of the strongest statements of their late-career run. Out now, PORTO finds the

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Independent Project Records Release Decades-Spanning Compilation The Well

Independent Project Records has released The Well, a decades-spanning, genre-defying various artists compilation featuring rare and previously unreleased material pulled from the label’s vaults, alongside tracks from forthcoming releases. The two-disc, forty-one track collection is out today as a special edition double CD. For more than four decades, Independent Project Records has embodied the true

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The Red Jumpsuit Apparatus Announce Deluxe Edition of ‘X’s For Eyes,’ Share New Video for “Angels Cry”

The Red Jumpsuit Apparatus are set to release a deluxe edition of their sixth studio album, X’s For Eyes, on March 6, 2026 via Better Noise Music. The expanded release arrives alongside a brand-new, previously unreleased track, “Angels Cry,” which is out now along with an accompanying music video. Pre-orders for the X’s For Eyes

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MYND READER Releases Highly-Anticipated Self-Titled Debut Album Today

MYND READER doesn’t enter a room quietly. They step in like they already know the story, the pitfalls, and the clichés of rock and still choose a sharper path. Their full-length, self-titled debut album out today isn’t an introduction so much as a declaration. There are no retro affectations or gimmicks here, just rock that

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Tori Amos Returns With In Times of Dragons, A Mythic New Album About Power, Resistance, and Survival

Tori Amos has spent her career turning the personal into the political, the mythic into the immediate. With In Times of Dragons, her newly announced 18th studio album due out May 1 via Universal/Fontana, she leans fully into that alchemy — framing the present moment as a battle between storytelling, power, and survival. The album,

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Geese Make Saturday Night Live Debut With Two Songs From Getting Killed

Brooklyn rock band Geese stepped onto one of indie rock’s biggest stages over the weekend, making their debut as musical guests on Saturday Night Live with a pair of performances drawn from their latest album, Getting Killed. Appearing on the January 24 episode hosted by Teyana Taylor, the band leaned into the darker, more volatile

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Megadeth Share “Puppet Parade,” The Final Single From Their Self-Titled Last Album

MEGADETH have always thrived on tension — between speed and precision, rage and control, spectacle and solitude. On “Puppet Parade,” the final single from their self-titled final studio album, the band turns that tension inward, offering one last, grim reflection on routine, disillusionment, and the quiet violence of repetition. Released ahead of the album’s arrival

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Codefendants and the Long Conversation Between Punk and Hip-Hop

The collision between punk and hip-hop isn’t new. What’s rare is hearing it treated as a shared language instead of a novelty. That’s where Codefendants come in. The trio doesn’t approach genre overlap as fusion or experiment. They treat it as lived reality.Made up of Fat Mike (NOFX), Sam King (Get Dead), and Ceschi, Codefendants

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