Rock News

Geese Make Saturday Night Live Debut With Two Songs From Getting Killed

Brooklyn rock band Geese stepped onto one of indie rock’s biggest stages over the weekend, making their debut as musical guests on Saturday Night Live with a pair of performances drawn from their latest album, Getting Killed. Appearing on the January 24 episode hosted by Teyana Taylor, the band leaned into the darker, more volatile […]

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Megadeth Share “Puppet Parade,” The Final Single From Their Self-Titled Last Album

MEGADETH have always thrived on tension — between speed and precision, rage and control, spectacle and solitude. On “Puppet Parade,” the final single from their self-titled final studio album, the band turns that tension inward, offering one last, grim reflection on routine, disillusionment, and the quiet violence of repetition. Released ahead of the album’s arrival

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Codefendants and the Long Conversation Between Punk and Hip-Hop

The collision between punk and hip-hop isn’t new. What’s rare is hearing it treated as a shared language instead of a novelty. That’s where Codefendants come in. The trio doesn’t approach genre overlap as fusion or experiment. They treat it as lived reality.Made up of Fat Mike (NOFX), Sam King (Get Dead), and Ceschi, Codefendants

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The Funeral Portrait Capture Chaos and Communion on Live From Suffocate City

The intensity captured on Live From Suffocate City isn’t accidental. It’s the physical manifestation of everything Lee Jennings spoke about when he sat down with Skratch N’ Sniff to discuss “Dark Thoughts,” mental health, and the responsibility he feels toward his audience. Where the studio recordings articulate those ideas in controlled form, the live album

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Pop Evil Releases New Single “The Decay”

To mark the one-year anniversary of their acclaimed album What Remains, Pop Evil announce the release of What Remains (Midnight Edition), arriving March 27, 2026. The band’s new single, “The Decay,” is out today after premiering on SiriusXM Octane yesterday. The track is a riff-forward modern rock track with depth, melody, and staying power. Regarding the release, Pop Evil shares, “In

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Sabaton Hit a New U.S. Peak With “Crossing The Rubicon,” Then Turn It Into a Horror Mini-Movie

Sabaton have spent two decades turning history into stadium-sized power metal, but their latest move is pure crossover strategy. “Crossing The Rubicon,” now featuring Nothing More, has surged into the Billboard Mainstream Rock Airplay Top 10, marking the band’s first-ever appearance in that tier of U.S. rock radio. The timing is perfect. The track, an

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Megadeth Release Self-Titled Final Studio Album, ‘Megadeth,’ Out Today

Megadeth have officially released their self-titled final studio album, Megadeth, out today (January 23, 2026). Arriving six months after its announcement, the record stands as a definitive closing chapter for the Grammy Award–winning, multi-platinum metal titans. The album is released via Dave Mustaine’s Tradecraft imprint in partnership with Frontiers Label Group’s BLKIIBLK label and has

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White Denim Announce New Album 13, Share Psychedelic Funk Statement “(God Created) Lock And Key”

White Denim have announced their new album 13, due out April 24 via Bella Union. The record marks the Austin/Los Angeles Based band’s thirteenth full-length release, a fitting milestone for a project rooted in tension, reinvention, and creative independence. Community and connection sit at the heart of 13. Frontman James Petralli describes the album as

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Billy Graziadei on Kiss Guitarist Ace Frehley: “He Was From Outer Space — and He Made Me Believe I Could Be Too”

When word reached Billy Graziadei that Ace Frehley had passed, the shock hit him mid-sentence. “No way, dude. This is the first I’m hearing that. Wow,” he said quietly, pausing to let it sink in. For the Biohazard frontman — a kid from Brooklyn who would later redefine hardcore with a band that fused metal,

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