Music

Kurt Deimer Blurs Rock and Horror on New Single “Scared To Death,” Announces Album A Grog Is Born

Musician and actor Kurt Deimer has never been interested in staying inside one lane. On his new single “Scared To Death,” the rising rock vocalist leans fully into the overlap between his music and film worlds, delivering a haunted-house rocker that doubles as the title track for his upcoming horror-comedy film Scared To Death, due […]

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Puscifer Return With Normal Isn’t, Their First Album in Five Years, and Lean Fully Into the Dark

After five years of relative quiet, Puscifer are stepping back into the spotlight with Normal Isn’t, their first full-length since 2020, arriving February 6 via Puscifer Entertainment, Alchemy Recordings, and BMG. The album finds the trio, made of Maynard James Keenan, Mat Mitchell, and Carina Round, stripping away polish in favor of something sharper, heavier, and more confrontational, pulling directly

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Yungblud Wins Grammy For Best Rock Performance for Black Sabbath’s “Changes”

Yungblud’s Grammy win for Best Rock Performance didn’t just honor a song—it crowned a moment when rock’s past, present, and future collided on the same stage. The British firebrand took home the award for his live rendition of Changes, originally by Black Sabbath, performed during the 2025 Back to the Beginning tribute. It was a

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Mynd Reader Levels Up With Their Debut Album [Album Review]

Mynd Reader is drawing some serious Southern soul-rock vibes with their new self-titled debut LP, Mynd Reader. From the opening notes, it feels like stepping back in time, a wave of nostalgia carried by a rhythm that immediately pulls you in. Mynd Reader’s powerhouse frontman leads the charge on this 10-track concept record. “Radio Warning”

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54-40 Return With PORTO, A Record About Staying in the Fight

There’s a particular confidence that comes from longevity — not the victory-lap kind, but the quiet assurance of artists who’ve survived trends, cycles, and eras by staying honest. That’s the space 54-40 occupy on PORTO, their newly released studio album and one of the strongest statements of their late-career run. Out now, PORTO finds the

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Independent Project Records Release Decades-Spanning Compilation The Well

Independent Project Records has released The Well, a decades-spanning, genre-defying various artists compilation featuring rare and previously unreleased material pulled from the label’s vaults, alongside tracks from forthcoming releases. The two-disc, forty-one track collection is out today as a special edition double CD. For more than four decades, Independent Project Records has embodied the true

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The Red Jumpsuit Apparatus Announce Deluxe Edition of ‘X’s For Eyes,’ Share New Video for “Angels Cry”

The Red Jumpsuit Apparatus are set to release a deluxe edition of their sixth studio album, X’s For Eyes, on March 6, 2026 via Better Noise Music. The expanded release arrives alongside a brand-new, previously unreleased track, “Angels Cry,” which is out now along with an accompanying music video. Pre-orders for the X’s For Eyes

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Tori Amos Returns With In Times of Dragons, A Mythic New Album About Power, Resistance, and Survival

Tori Amos has spent her career turning the personal into the political, the mythic into the immediate. With In Times of Dragons, her newly announced 18th studio album due out May 1 via Universal/Fontana, she leans fully into that alchemy — framing the present moment as a battle between storytelling, power, and survival. The album,

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Geese Make Saturday Night Live Debut With Two Songs From Getting Killed

Brooklyn rock band Geese stepped onto one of indie rock’s biggest stages over the weekend, making their debut as musical guests on Saturday Night Live with a pair of performances drawn from their latest album, Getting Killed. Appearing on the January 24 episode hosted by Teyana Taylor, the band leaned into the darker, more volatile

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Megadeth Share “Puppet Parade,” The Final Single From Their Self-Titled Last Album

MEGADETH have always thrived on tension — between speed and precision, rage and control, spectacle and solitude. On “Puppet Parade,” the final single from their self-titled final studio album, the band turns that tension inward, offering one last, grim reflection on routine, disillusionment, and the quiet violence of repetition. Released ahead of the album’s arrival

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